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                <text>F.W. Peacock Inuttitut Language Publications, Centre for Newfoundland Studies. &lt;a href="https://collections.mun.ca/digital/collection/fwpeacock/id/798/rec/1"&gt;https://collections.mun.ca/digital/collection/fwpeacock/id/798/rec/1&lt;/a&gt; &lt;br /&gt;&lt;strong&gt;*** Original entry refers to Inuit people as a slur***&lt;/strong&gt;</text>
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                  <text>Charles Henry Danielle was born on November 1st, 1830, in Baltimore, Maryland. He moved to Newfoundland in the 1860s, self-advertising as a “dancing instructor and fancy dressmaker.” While he owned a variety of businesses over the years until his death in 1902, the most memorable artistic and profession pursuit of his was the Octagon Castle hotel at Octagon pond, Topsail, in 1896. He operated this establishment until his death in 1902. But rather than have a somber funeral, he chose to make his own casket and host a party instead (or, really, have his attendees party). Allegedly, 10,000 people gathered to witness his procession, and there were fights to view his casket. Though he never married, Danielle did have an heir, Frederick A. Brazil. He assisted and worked for Danielle in the last few years of Danielle’s life, and is recorded as having been legally adopted a year before Danielle’s passing. Danielle’s avoidance of matrimony is likely because of his queerness — an old friend of his, C.H. Waugh, once wrote to Brazil that Danielle “was a great lover of men. He used to hug and kiss them and want to sleep with them. I did not like this, But there was much about him that I did like.”&lt;br /&gt;There are sporadic records of Danielle’s life, and in all likelihood, not all have been found yet. And while there are only a few accounts of his death, the surviving depictions of his funeral point to a loved, cherished, (and probably even envied), man.</text>
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                <text>Newspaper article that praises Prof. Danielle’s decorating projects. It describes the professor’s parlour, with a focus on his multicoloured, satin, and silk piano canopy. It also mentions his work with drapes, including one gifted to the photographer, Mr. James Vey. </text>
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                  <text>The Body Politic was a queer, activist-based Canadian monthly newsletter that was published from 1971 to 1987. It is one of the most significant queer publications in Canadian history, and played a significant role in amplifying the Gay Liberation Movement and provided a crucial space for queer voices to be heard.</text>
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                <text>Article in &lt;em&gt;The Body Politic &lt;/em&gt;describing a violent police raid on the night of March 14, 1980 at Friends Bar in St. John's. It reports that police entered at 2:45 am with the intention to shut down the bar at any cost. Patrons were ordered to leave by police, however they were not moving as fast as the police would have liked. As a result, police became rough. Police assaulted 5 individuals along with the club's doorman, blood covered the washrooms as reported by a bartender.&lt;br /&gt;&lt;br /&gt;A few weeks later, &lt;em&gt;The Body Politic &lt;/em&gt;published a letter from the owner of the bar, William Bartlett, disputing that the raid was violent or homophobic.&lt;br /&gt;&lt;br /&gt;This article was posted in the &lt;em&gt;Body Politic&lt;/em&gt; newsletter. &lt;em&gt;The Body Politic&lt;/em&gt; was a queer, activist-based Canadian monthly newsletter that was published from 1971 to 1987. It is one of the most significant queer publications in Canadian history, and played a significant role in amplifying the Gay Liberation Movement and provided a crucial space for queer voices to be heard.</text>
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                <text>&lt;span&gt;Pink Triangle Press, Canadian Museum for Human Rights&lt;/span&gt;&lt;br /&gt;&lt;a href="https://archive.org/details/bodypolitic64toro/page/13/mode/1up?q=%22st+john%27s%22"&gt;https://archive.org/details/bodypolitic64toro/page/13/mode/1up?q=%22st+john%27s%22&lt;/a&gt;</text>
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                  <text>Edith S. Watson (1861-1943) was an American freelance photographer who travelled throughout Canada as well as Newfoundland and Labrador in the early 20th century. She travelled and collaborated primarily with her partner Victoria "Queenie" Hayward (1876-1956), a journalist born in Bermuda. The couple met in Bermuda in 1911, and later moved to Connecticut, where Watson was born. They remained lifelong professional collaborators and romantic partners until Watson's death in 1943. Their work often focused on rural working-class life and minority groups across Canada and Newfoundland and Labrador. They were frequently published in both American and Canadian newspapers and magazines, and they published a selection of travel journalism and photographs, Romantic Canada, in 1922.&#13;
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                <text>Black-and-white photograph centered on a page. Beneath the photograph is handwritten in pencil "Summer Snow". The photograph is of a field of flowers that are light in colour, possibly daisies. The photographer is standing in the field on a small hill; in the distance, at the edge of the field, there is a treeline and mountains behind it. To the right of the picture, just out of frame is a house.&lt;br /&gt;&lt;br /&gt;Edith S. Watson (1861-1943) was an American freelance photographer who travelled throughout Canada as well as Newfoundland and Labrador in the early 20th century. She travelled and collaborated primarily with her partner Victoria "Queenie" Hayward (1876-1956), a journalist born in Bermuda. The couple met in Bermuda in 1911, and later moved to Connecticut, where Watson was born. They remained lifelong professional collaborators and romantic partners until Watson's death in 1943. Their work often focused on rural working-class life and minority groups across Canada and Newfoundland and Labrador. They were frequently published in both American and Canadian newspapers and magazines, and they published a selection of travel journalism and photographs, &lt;em&gt;Romantic Canada&lt;/em&gt;, in 1922.</text>
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                  <text>Charles Henry Danielle was born on November 1st, 1830, in Baltimore, Maryland. He moved to Newfoundland in the 1860s, self-advertising as a “dancing instructor and fancy dressmaker.” While he owned a variety of businesses over the years until his death in 1902, the most memorable artistic and profession pursuit of his was the Octagon Castle hotel at Octagon pond, Topsail, in 1896. He operated this establishment until his death in 1902. But rather than have a somber funeral, he chose to make his own casket and host a party instead (or, really, have his attendees party). Allegedly, 10,000 people gathered to witness his procession, and there were fights to view his casket. Though he never married, Danielle did have an heir, Frederick A. Brazil. He assisted and worked for Danielle in the last few years of Danielle’s life, and is recorded as having been legally adopted a year before Danielle’s passing. Danielle’s avoidance of matrimony is likely because of his queerness — an old friend of his, C.H. Waugh, once wrote to Brazil that Danielle “was a great lover of men. He used to hug and kiss them and want to sleep with them. I did not like this, But there was much about him that I did like.”&lt;br /&gt;There are sporadic records of Danielle’s life, and in all likelihood, not all have been found yet. And while there are only a few accounts of his death, the surviving depictions of his funeral point to a loved, cherished, (and probably even envied), man.</text>
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                <text>Microfilm held in the Queen Elizabeth II Library&lt;br /&gt;&lt;a href="https://collections.mun.ca/digital/collection/telegram20/id/16702/rec/9"&gt;https://collections.mun.ca/digital/collection/telegram20/id/16702/rec/9&lt;/a&gt;</text>
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                <text>Article about CHAN and how it had positively affected life for gays and lesbians in St. John’s. It describes a boycott CHAN organized of the Waterfront Tavern after two gay men were thrown out of the bar for dancing together, and a presentation CHAN made to the Special Joint Committee on Immigration Policy the previous year on behalf of the gay community as the federal government amended the Immigration Act. CHAN's contributions, alongside those of other local gay groups across the country, led the committee to recommend the deletion from the act of a provision banning gays and lesbians from other countries from immigrating to Canada.&lt;br /&gt;&lt;br /&gt;This article was posted in the &lt;em&gt;Body Politic&lt;/em&gt; newsletter. &lt;em&gt;The Body Politic&lt;/em&gt; was a queer, activist-based Canadian monthly newsletter that was published from 1971 to 1987. It is one of the most significant queer publications in Canadian history, and played a significant role in amplifying the Gay Liberation Movement and provided a crucial space for queer voices to be heard.</text>
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Collected by S. Shore from Joanne Garland in 1969. &#13;
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First published in 1982, the Dictionary of Newfoundland English is one of the best-known publications to emerge from the province. Archiving words and colloquialisms that are native to the province of Newfoundland and Labrador and its inhabitants. This definition is not in the official Dictionary of Newfoundland English currently.&#13;
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                <text>Issue of the NAN newsletter. Contains a letter to NAN asking why the lesbian dances were advertised on the radio, citing fear of being outed to family or coworkers. The response notes that no member of NAN purposefully put it on the radio, and that future dances will only be advertised by signs on campus and downtown.&lt;br /&gt;&lt;br /&gt;Includes announcement of new NGALE Gay and Lesbian Info line. Contains an advertisement for Gay Pride Week and a congratulatory message on the screening of Gerry Roger's film The Vienna Tribunal at the United Nations World Conference. &lt;br /&gt;&lt;br /&gt;Includes a recruitment advertisement for volunteers to support NAN meetings, dances, Pride Week, and the newsletter itself. &lt;br /&gt;&lt;br /&gt;&lt;em&gt;N.A.N.'s News&lt;/em&gt; was a newsletter published by Newfoundland Amazon Network, a collection of lesbian women, including Susan Rose, Gerry Rogers, Tree Walsh, starting in the mid-1990s. N.A.N. had regular meetings to support lesbians in the province and advance queer human rights. They operated the province's first gay and lesbian phone line, 722-DYKE, from the basement of Susan Rose’s home. They hosted a Lesbian and Bisexual Women's Caucus at the Newfoundland and Labrador Provincial Women's Conference in 1996.</text>
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                <text>A brief segment stating that the Newfoundland and Labrador Human Rights Association recommended that the Newfoundland Human Rights Act include a ban on discrimination based on sexual orientation. The segment also mentions GAIN being commended for their efforts, and GAIN's plan to contact members of the government to support the proposed amendment.&lt;br /&gt;&lt;br /&gt;This article was posted in the&lt;i&gt; Body Politic&lt;/i&gt; newsletter. &lt;i&gt;The Body Politic&lt;/i&gt; was a queer, activist-based Canadian monthly newsletter that was published from 1971 to 1987. It is one of the most significant queer publications in Canadian history, and played a significant role in amplifying the Gay Liberation Movement and provided a crucial space for queer voices to be heard.</text>
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                <text>Pink Triangle Press and Canadian Museum for Human Rights&lt;br /&gt;&lt;a href="https://archive.org/details/bodypolitic122toro/page/22/mode/2up?q=newfoundland"&gt;https://archive.org/details/bodypolitic122toro/page/22/mode/2up?q=newfoundland&lt;/a&gt;</text>
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                  <text>The Body Politic was a queer, activist-based Canadian monthly newsletter that was published from 1971 to 1987. It is one of the most significant queer publications in Canadian history, and played a significant role in amplifying the Gay Liberation Movement and provided a crucial space for queer voices to be heard.</text>
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                <text>Classified ad from a Newfoundland-based gay man in his twenties seeking a companion.&lt;br /&gt;&lt;br /&gt;This article was posted in the &lt;em&gt;Body Politic&lt;/em&gt; newsletter. The &lt;em&gt;Body Politic &lt;/em&gt;was a queer, activist-based Canadian monthly newsletter that was published from 1971 to 1987. It is one of the most significant queer publications in Canadian history, and played a significant role in amplifying the Gay Liberation Movement and provided a crucial space for queer voices to be heard.</text>
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                <text>Pink Triangle Press, Canadian Museum for Human Rights&#13;
https://archive.org/details/bodypolitic88toro/page/52/mode/2up?q=nfld</text>
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                  <text>Charles Henry Danielle was born on November 1st, 1830, in Baltimore, Maryland. He moved to Newfoundland in the 1860s, self-advertising as a “dancing instructor and fancy dressmaker.” While he owned a variety of businesses over the years until his death in 1902, the most memorable artistic and profession pursuit of his was the Octagon Castle hotel at Octagon pond, Topsail, in 1896. He operated this establishment until his death in 1902. But rather than have a somber funeral, he chose to make his own casket and host a party instead (or, really, have his attendees party). Allegedly, 10,000 people gathered to witness his procession, and there were fights to view his casket. Though he never married, Danielle did have an heir, Frederick A. Brazil. He assisted and worked for Danielle in the last few years of Danielle’s life, and is recorded as having been legally adopted a year before Danielle’s passing. Danielle’s avoidance of matrimony is likely because of his queerness — an old friend of his, C.H. Waugh, once wrote to Brazil that Danielle “was a great lover of men. He used to hug and kiss them and want to sleep with them. I did not like this, But there was much about him that I did like.”&lt;br /&gt;There are sporadic records of Danielle’s life, and in all likelihood, not all have been found yet. And while there are only a few accounts of his death, the surviving depictions of his funeral point to a loved, cherished, (and probably even envied), man.</text>
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                <text>&lt;em&gt;Harbour Grace Standard&lt;/em&gt; Collection in the &lt;span&gt;Centre for Newfoundland Studies&lt;/span&gt;&lt;br /&gt;&lt;a href="https://collections.mun.ca/digital/collection/hgstandard/id/5953/rec/8" title="https://collections.mun.ca/digital/collection/hgstandard/id/5953/rec/8"&gt;https://collections.mun.ca/digital/collection/hgstandard/id/5953/rec/8&lt;/a&gt;</text>
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