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                  <text>Charles Henry Danielle was born on November 1st, 1830, in Baltimore, Maryland. He moved to Newfoundland in the 1860s, self-advertising as a “dancing instructor and fancy dressmaker.” While he owned a variety of businesses over the years until his death in 1902, the most memorable artistic and profession pursuit of his was the Octagon Castle hotel at Octagon pond, Topsail, in 1896. He operated this establishment until his death in 1902. But rather than have a somber funeral, he chose to make his own casket and host a party instead (or, really, have his attendees party). Allegedly, 10,000 people gathered to witness his procession, and there were fights to view his casket. Though he never married, Danielle did have an heir, Frederick A. Brazil. He assisted and worked for Danielle in the last few years of Danielle’s life, and is recorded as having been legally adopted a year before Danielle’s passing. Danielle’s avoidance of matrimony is likely because of his queerness — an old friend of his, C.H. Waugh, once wrote to Brazil that Danielle “was a great lover of men. He used to hug and kiss them and want to sleep with them. I did not like this, But there was much about him that I did like.”&lt;br /&gt;There are sporadic records of Danielle’s life, and in all likelihood, not all have been found yet. And while there are only a few accounts of his death, the surviving depictions of his funeral point to a loved, cherished, (and probably even envied), man.</text>
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                <text>Letter from John E. Godman to Frederick A. Brazill, June 23, 1902</text>
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                <text>A letter written by John E. Godman in reply to previous correspondence with Frederick A. Brazill. Godman writes about the Potts family and a particular unnamed member, who Brazill had previously inquired about due to receiving a letter from them. Godman admits he knows little of the family. Regarding the unnamed person, Godman supposes the person may have been “(...) a servant with mind shattered who once knew Charles.”. </text>
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                <text>M-122 Frederick A. Brazill Fond, Newfoundland &amp; Labrador Collection, NL Public Libraries.</text>
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                  <text>The Body Politic was a queer, activist-based Canadian monthly newsletter that was published from 1971 to 1987. It is one of the most significant queer publications in Canadian history, and played a significant role in amplifying the Gay Liberation Movement and provided a crucial space for queer voices to be heard.</text>
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                <text>Article announcing the new Gay and Lesbian Association (GALA) at Memorial University of Newfoundland which was available to faculty, staff, and students, as well as the public. It notes that GALA hosted a Halloween dance and it is rumoured that they will have a Christmas social as well. It notes that the party was hosted at Earhart's, a new gay bar in town (which was mainly catered to lesbians), and discusses Pracilla's, another gay bar (which mainly catered to gay men). &lt;br /&gt;&lt;br /&gt;This article was posted in &lt;em&gt;the Body Politic&lt;/em&gt; newsletter. &lt;em&gt;The Body Politic&lt;/em&gt; was a queer, activist-based Canadian monthly newsletter that was published from 1971 to 1987. It is one of the most significant queer publications in Canadian history, and played a significant role in amplifying the Gay Liberation Movement and provided a crucial space for queer voices to be heard.</text>
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                <text>An article in the &lt;em&gt;Evening Telegram&lt;/em&gt;'s Trinity section that recounts a story of two men in Trinity who shared a powerful love “passing the love of women” which enabled one to have a vision in a dream of the other while he was at sea. It argues that love of this nature between men exists in every community and is no different from love between a man and a woman.</text>
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                <text>&lt;em&gt;Evening Telegram&lt;/em&gt;, 1919-1932 microfilm held in the Queen Elizabeth II Library. &lt;a href="https://collections.mun.ca/digital/collection/telegram20/id/20630/rec/1"&gt;https://collections.mun.ca/digital/collection/telegram20/id/20630/rec/1&lt;/a&gt;</text>
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                  <text>Charles Henry Danielle was born on November 1st, 1830, in Baltimore, Maryland. He moved to Newfoundland in the 1860s, self-advertising as a “dancing instructor and fancy dressmaker.” While he owned a variety of businesses over the years until his death in 1902, the most memorable artistic and profession pursuit of his was the Octagon Castle hotel at Octagon pond, Topsail, in 1896. He operated this establishment until his death in 1902. But rather than have a somber funeral, he chose to make his own casket and host a party instead (or, really, have his attendees party). Allegedly, 10,000 people gathered to witness his procession, and there were fights to view his casket. Though he never married, Danielle did have an heir, Frederick A. Brazil. He assisted and worked for Danielle in the last few years of Danielle’s life, and is recorded as having been legally adopted a year before Danielle’s passing. Danielle’s avoidance of matrimony is likely because of his queerness — an old friend of his, C.H. Waugh, once wrote to Brazil that Danielle “was a great lover of men. He used to hug and kiss them and want to sleep with them. I did not like this, But there was much about him that I did like.”&lt;br /&gt;There are sporadic records of Danielle’s life, and in all likelihood, not all have been found yet. And while there are only a few accounts of his death, the surviving depictions of his funeral point to a loved, cherished, (and probably even envied), man.</text>
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              <text>Interviewee: Nathalie Brunet [NB]&#13;
Interviewer: Amy Smith [AS]&#13;
Transcribed by: Amy Smith&#13;
Location: Memorial University of Newfoundland &#13;
Date: October 29, 2023&#13;
Length of Interview: 11 minutes and 59 seconds&#13;
&#13;
AS:   So, you had some personal anxieties around holding and leading the&#13;
G.S.A. and what helped you to work through those to continue or to&#13;
motivate you to keep on like leading that space/providing that space?&#13;
&#13;
NB:  It was just so incredibly gratifying and satisfying. It was obvious that I was,&#13;
y’know-with the the reasonable rational part of my brain, I knew darn well&#13;
that I was not doing anything harmful&#13;
&#13;
AS:  Yeah&#13;
&#13;
NB:  To anyone there. There was so much positive response, there was so&#13;
much support for me to do that from the larger- there it is, haha, finally. [NB: &#13;
found a picture from her time with the LGBTQmunity that she had been&#13;
wanting to show me] the larger- y’know, queer community around me, the&#13;
people that just sort of would know that I was doing this, y’know, I’d be&#13;
putting things on facebook when it was starting to happen that were&#13;
appropriate and not infringing on privacy&#13;
&#13;
AS:  Mhm.&#13;
&#13;
NB:  But, you know you get all kinds of people saying “Oh my god that’s so&#13;
wonderful and I wish I’d had that when I was in high school.” And I&#13;
certainly would have loved for a trustworthy teacher to be there for me in&#13;
that way too.&#13;
&#13;
AS: Mhm&#13;
&#13;
NB: It was not hard to keep going. It was a constant joy and delight to be doing&#13;
it. And I’m sitting here ten years later and reminiscing and it’s such a&#13;
vibrantly joyful and loving part of my life and I miss the hole that it- y’know&#13;
it’s left a gap in my life and I really miss that now that it’s- that I’ve retired&#13;
uh so uh, stopping was never a question [NB:  laughs joyfully]&#13;
&#13;
AS:  That seems like just another way in which you were teaching uh while&#13;
being your whole self, right? You bring your baggage and your past&#13;
experiences into it.&#13;
&#13;
NB:  Mhm&#13;
AS:  Um, yeah. Is there anything else you’d like to tell me about your G.S.A.?&#13;
NB:  I have a whole bunch of pictures! [Nathalie laughs excitedly]&#13;
AS:  Yeah!&#13;
NB:  So [NB:  clears her throat], okay, so this one was of when I first decided to&#13;
set it up. This was in October 2013, as you can see there. What you don’t&#13;
see there is the original sort of getting people’s attention at first. There was&#13;
support from the district, I knew that it was fine for me to be doing this, my&#13;
administration was supportive, there was no obstacles to do it, I just knew&#13;
that if I just announced on the intercom “There’s going to be a G.S.A. in the&#13;
school,” People would- kids included, would’ve all said “What’s a G.S.A.?”&#13;
&#13;
AS:  Yeah&#13;
&#13;
NB:  Ah, there was, y’know, I needed to build up the awareness first. So I took a&#13;
page from a colleague who had used this as a trick to advertise some&#13;
other event in the past. I thought I’d pique everybody’s curiosity, so I took&#13;
some sheets of paper and one had “L”, “B”,&#13;
&#13;
AS:  Mhm, “G.” “T.” “A.” yeah…&#13;
&#13;
NB:  And so long, and “G.” “T.” “A.” yeah, with a few extra words like Ally, and I&#13;
forget what else.&#13;
&#13;
AS:  Would questioning maybe have been one of them?&#13;
&#13;
NB:  Questioning possibly..? I think I had queer? Uh-nuh- I had Q, simply for&#13;
whatever that would be. So it was just single letters!&#13;
&#13;
AS:  Okay!&#13;
&#13;
NB:  All over the school.&#13;
&#13;
AS:  Mhm&#13;
&#13;
NB:  What’s going on?&#13;
&#13;
AS:  Mhm&#13;
&#13;
NB:  A few days later, I added a little thing with the word, and a little paragraph&#13;
saying, “Curious? Want to know more? Come to the library Monday at&#13;
lunch time.” Whatever, so there was a meeting at the Library, I explained&#13;
“What’s a G.S.A., and here’s what we- y’know, what we could do and it’s&#13;
gonna be in my classroom” I picked a day of the week, day of the cycle,&#13;
cause day 4 was easier than&#13;
&#13;
AS:  Mhm&#13;
&#13;
NB:  Cause, otherwise, if you pick, if you pick Monday then it’s going to interfere&#13;
with your duty every now and then,&#13;
&#13;
AS:  Yes.&#13;
&#13;
NB:  So, day 4 it was&#13;
&#13;
AS:  Mhm&#13;
&#13;
NB:  And…so we had the next meeting, and there was a bunch of kids, and we&#13;
talked about the LGBTQmunity because there was a pun was, the name&#13;
that they chose, and so this would have been a week or so or few later [NB: &#13;
shows AS:  a picture of a sign for the LGBTQmunity] “Queer and straight&#13;
together.” Drop here. “Drop in, Drop ins welcome. Meet here every day 4 at&#13;
lunch time.” And that little sort of happy face there is sort of my trademark.&#13;
AS:  Okay yeah&#13;
&#13;
NB:  Yeah, that was the first start.&#13;
&#13;
AS:  Mhm. And uhhh so, you started off with a meeting in the Library on day 4?&#13;
NB:  Yeah, the -&#13;
&#13;
AS:  Or it went to day 4&#13;
&#13;
NB:  Yeah the meeting in the library was just a one off, it was an information&#13;
session so, for anybody who just wanted to know what this LGBTQ stuff&#13;
was about.&#13;
&#13;
AS:  Yes&#13;
&#13;
NB:  So we went over that. And we talked about the G.S.A. and the invitation&#13;
was made, anybody was here or anywhere else, y’know. “There will be a&#13;
G.S.A. and if you are interested then you can come.” This was not meant,&#13;
this was a an information for the whole- anybody who wanted to come and&#13;
as part of the school population. I think we had, like fifty odd kids? Or&#13;
something in there? It was&#13;
&#13;
AS:  Okay&#13;
&#13;
NB:  You got a lot of curiosity going. [Nathalie laughs]&#13;
&#13;
AS:  Yeah, yeah, definitely!&#13;
&#13;
NB:  And I can’t remember anymore how many kids actually started coming.&#13;
&#13;
AS:  Mhm.&#13;
&#13;
AS:  So what kind of things would these meetings involve?&#13;
&#13;
NB:  For me I, ah, sometimes we would have a talking circle, sometimes it, a lot&#13;
of times it was just hang out during your lunch break. Have a chance to sit&#13;
with your group of friends and chat, an informal eat your lunch- it was their&#13;
lunch break, how much do 12 year olds really really want to have like a&#13;
serious meeting time happening at lunch? On a scale of 1-10 the answer is&#13;
zero! [Nathalie laughs]&#13;
&#13;
AS:  [Amy laughs] Yeah, absolutely.&#13;
&#13;
NB:  We e did do occasionally talking circles which had some interesting bits uh,&#13;
there was one group, probably not right from the start but you know, we’d&#13;
go around, pass around something as the object and, you could just, you&#13;
could pass all together, you could just say your name and your pronoun&#13;
and if you wanted to state your identity you could because for some of&#13;
them at some time it was like- and I remember when I was coming out I&#13;
just wanted to shout it from the rooftop, and it was just such a drag that&#13;
there wasn’t enough of times where people could ask you so you could tell&#13;
them “I’m a lesbian!” [Nathalie laughs enthusiastically]&#13;
&#13;
AS:  [laughs] yeah!&#13;
&#13;
NB:  “So, If you want to tell the world, you can tell us right now!” But also&#13;
nobody has to because that would also not be right. And then we were&#13;
looking for just sort of topics that would get people sort of have something,&#13;
innocuous to sort of just break the ice, and the group settled on “What did&#13;
you have for breakfast?”.&#13;
AS:  Mhm&#13;
NB:  And they got all kinds of funny things like “The tears of my enemies” or&#13;
[Nathalie has a burst of laughter]&#13;
AS:  [laughs] Of course!&#13;
NB:  Of course, I would not have picked that because it’s actually a question&#13;
that could touch an awful lot of nerves.&#13;
AS:  Yeah.&#13;
NB:  If you didn’t have breakfast, if your parents were fighting over breakfast, if&#13;
y’know, a gazi- if you have a eating disorder, there’s a gazillion reasons&#13;
why that actually might not be a safe question, but the kids were- had&#13;
really settled on it and there was enough opportunities to deal with it with&#13;
enough-with a joke rather than being sort of lay down you got to give me a&#13;
serious answer that I stayed with it.&#13;
&#13;
AS:  Yeah.&#13;
&#13;
NB:  It was theirs. Yeah. [NB:  clears her throat]. So that sometimes happened.&#13;
Much of the time they just wanted to hang out with their friends in a place&#13;
that felt safe, and that was fine for me as well.&#13;
&#13;
AS:  Yeah I think there’s a lot of value to those spaces. Um, yeah, giving kids a&#13;
place to just like be themselves with people that are supportive, um. Yeah,&#13;
that’s kind of like what uh, what we’ve got at camp.&#13;
&#13;
NB:  Yes.&#13;
&#13;
AS:  Um but also what I had from a… a special like Girl Guide troop growing up&#13;
as a teen. So it’s uh, it’s important.&#13;
Um… yeah, what do you have to show me?&#13;
&#13;
NB:  This is back in 20, winter Olympics in 2014- if you’ll remember they were&#13;
taking place in Russia, and Russia didn't want for people to be visually-&#13;
&#13;
AS:  Mm yes!&#13;
&#13;
NB:  Identifying as gay, and there was a lot of sort of blowbacks, and you know&#13;
it’s a- people in Canada and elsewhere including in St. John’s saying “Hey&#13;
that’s screwed up and we were gonna speak out about that.” So it was in&#13;
the news big time, [NB:  clears her throat]. So I had, we talked about it and I&#13;
had a display in my classroom [NB:  shows AS:  a picture of a display in her&#13;
former classroom]- there’s a pride flag and underneath here is a French&#13;
quote- but you speak French so I’m not even gonna translate it for you, it’s&#13;
taken from the Olympic charter “La pratique du sport est un droit de&#13;
l’homme.” [NB:  raises her eyebrows at AS: ]&#13;
&#13;
AS:  [Laughs as she says] Yeah&#13;
&#13;
NB: &#13;
*“Chaque individu doit avoir la possibilité de faire du sport sans&#13;
discrimination d’aucune sorte et dans l’esprit olympique, qui exige la&#13;
compréhension mutuelle, l’esprit d'amitié, de solidarité et de fair-play.” And&#13;
I’m pretty sure that there was a full cohort of kids at my school that came&#13;
out of the Olympics with the idea that somehow Olympics and Pride was&#13;
connected- and they might not have known why, but there was a lot of stuff&#13;
all over the class- all over the school!&#13;
&#13;
AS:  [Laughs] Yeah&#13;
&#13;
NB:  So I remember the the, y’know, there was Olympic excitement and people&#13;
were decorating their door- their classroom doors and stuff, and the&#13;
number of classroom doors that had, in addition to the Olympic visuals,&#13;
also included really strong Pride flags everywhere. I’m pretty sure there’s&#13;
kids who to this day can’t remember why, but they’re sure there’s a&#13;
connection. [NB:  laughs]&#13;
&#13;
AS:  [AS:  laughs] Yep. [AS:  laughs some more] Oh that’s funny. You know, I&#13;
wouldn’t have thought that the Olympics were a queer icon but here we&#13;
are.&#13;
&#13;
*You can find this quote sur page 9 dans le “Rapport annuel du CIO 2014”&#13;
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                <text>P.  Miller Scrapbook,  January-December 1920 </text>
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                <text>Memorial University of Newfoundland Archives and Special Collections, Coll 016&lt;br /&gt;&lt;a href="https://collections.mun.ca/digital/collection/archives/id/12071"&gt;https://collections.mun.ca/digital/collection/archives/id/12071&lt;/a&gt;</text>
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                <text>&lt;ol&gt;&lt;li&gt;Cover of Peter Miller’s scrapbook. Mixed media collage with birchbark caribou head on pale green background and lettering reading "1920 From Caribou Land".&lt;/li&gt;
&lt;li&gt;Handwritten introduction page to the scrapbook, explaining the nature of the materials used, including painted birch bark collage, original verse, crocheted tassel and cord, and original photographs. Includes explanation of the caribou as the war symbol of Newfoundland in World War I, as well as Newfoundland’s nickname, Caribou Land. Book is referred to as a diary.&lt;/li&gt;
&lt;li&gt;Handwritten page introducing Miller, a telegraph operator. Description centres on Miller’s office, which is unique among telegraph offices due to the collection of "inanimate beloveds". Miller describes the room as full of books, music and fancy-work materials, with makeshift furniture. More than a telegraph office, it is where friends would gather, and Miller states these friendships are what makes life beautiful. The page is signed "P. Florence Miller, Topsail, Newfoundland, 1920."&lt;/li&gt;
&lt;li&gt;Collage consisting of clipping of a photograph of a dead caribou and a rifle, titled "NEWFOUNDLAND CARIBOU", pasted to the top half of page from a periodical. The page contains the heading "The Well-Known Medicines of the Famous Receipt-Book Author". Text obscured by photograph on top half of page. Bottom half of page is titled "TABLE 1: Corrections for Differences in Longitude For the Sun and the Moon, and includes calculations for Nova Scotia, Prince Edward Island, New Brunswick, Quebec, Ontario".&lt;/li&gt;
&lt;li&gt;Printed poem "In Caribou Land" by P. Florence Miller. Poem is mounted on birch bark, backed by a page of a periodical. Four rhyming stanzas, each describing a season in Caribou Land (Newfoundland).&lt;/li&gt;
&lt;li&gt;Printed log book page for January 1920, which includes columns for the Day of Month, Day of Week, Zodiacal Signs, Weather Forecast, Sun Rise, Sun Set and Moon Set times for Local Mean Time Ontario, Quebec and Maritime Provinces. Brief handwritten entries fill each day’s space. Subjects include weather, mail, walks with friends, visits from friends, illness, Concert Troupe, church.&lt;/li&gt;
&lt;li&gt;Handwritten poem titled "A Settlin’ Back", signed P. Florence Miller, Jan. 6 1920. Three rhyming stanzas from the perspective of a young boy, Johnson, who misses the sweets, toys and feasts at home, now that he’s back at school after Christmas holidays. Written in dialect.&lt;/li&gt;
&lt;li&gt;Handwritten poem, "A Truly-Valentine" in blue ink with certain words underlined in red. Free verse. Short poem describing the traits of a Truly-Valentine: glamour, mystery, charm. "One must seal it with a Kiss,/and slip out/and post it secretly/after Dark!" Signed P. Florence Miller. Small drawing of two hearts pierced with arrows, in red ink.&lt;/li&gt;
&lt;li&gt;Large cutout full-colour Valentine's card depicting a Cupid wearing navy shorts and a hat which reads "Cupid Telegraph Co." He holds a red heart which reads "To My Valentine". Handwritten on Cupids’ leg: "FROM GRAHAM". Mounted on a plain piece of paper.&lt;/li&gt;
&lt;li&gt;Printed log book page for February 1920, which includes columns for the Day of Month, Day of Week, Zodiacal Signs, Weather Forecast, Sun Rise, Sun Set and Moon Set times for Local Mean Time Ontario, Quebec and Maritime Provinces. Brief handwritten entries fill each day’s space. Subjects include weather, mail, walks with friends, visits from friends, church, food, writing, reading, making Valentines "for all the kiddies", school concert, C.E. Missionary meeting.&lt;/li&gt;
&lt;li&gt;Valentine made of several layers of birch bark hearts tied together with a brown crochet bow at the top, mounted on a reversed page of a periodical. Written in cursive on the heart: "The Plain Unvarnished Truth/To One I Love—/My Valentine" with a small drawing of a heart pierced with an arrow.&lt;/li&gt;
&lt;li&gt;Sepia photograph mounted on plain paper, with handwritten caption, "Gathering seashells with Charlotte and Major". Photograph is dominated by rocky foreground, with an adult and two children crouched in the middle ground. Both children wear brimmed hats and long coats, and the adult (Peter Miller?) wears a brimless dark hat and a long dark coat with a furred collar.&lt;/li&gt;
&lt;li&gt;Collage of a birch bark rabbit on a green background, pasted onto a periodical page which shows the headline "Dr. Chase’s Nerve Food revitalizes wasted Nerve cells". Written in white cursive on the collage: “In the Front of March.” Signed "P.F.M."&lt;/li&gt;
&lt;li&gt;Printed log book page for March 1920, which includes columns for the Day of Month, Day of Week, Zodiacal Signs, Weather Forecast, Sun Rise, Sun Set and Moon Set times for Local Mean Time Ontario, Quebec and Maritime Provinces. Brief handwritten entries fill each day’s space. Subjects include weather, mail, visits from friends, gifts to friends, Church of England, Girl’s Guild, wireless training, winning a prize.&lt;/li&gt;
&lt;li&gt;Handwritten rhyming poem, “Mother Mine”, dated March 26, 1920. A small collage cross precede the poem, which describes Miller’s deceased mother whose spirit lives on in spring’s flora. Signed P. Florence Miller.&lt;/li&gt;
&lt;li&gt;Printed log book page for April 1920, which includes columns for the Day of Month, Day of Week, Zodiacal Signs, Weather Forecast, Sun Rise, Sun Set and Moon Set times for Local Mean Time Ontario, Quebec and Maritime Provinces. Brief handwritten entries fill each day’s space. Subjects include weather, mail, visits from friends, gifts to friends, Church of England, Girl’s Guild, illness, photography, publication of writing, multiple deaths.&lt;/li&gt;
&lt;li&gt;Two sepia photographs mounted on plain paper. The top photograph shows two figures with long-sleeved blouses and skirts sitting on a beach with the ocean in the background. They lean together, smiling, to look at something on the beach. Captioned "With Jeanette on Topsail Beach". The bottom photograph shows two adult figures and two children, in front of an outbuilding and some trees. Both children wear smocks and seem to be riding tricycles. One adult is centre frame looking at the camera in a light-coloured dress and matching headband. The other adult is in profile in the lower right corner and appears to be directing the children. Captioned "A day with my small nephews".&lt;/li&gt;
&lt;li&gt;Three photographs mounted on plain paper with a handwritten caption which explains that they are of Peter Miller and sisters in the rose garden. The first of the series of candid photographs shows two sisters among the roses, wearing dark, long dresses and coats with large hats and hair up. The second photograph shows one sister in profile with her long hair loose and flowing down her back. The third photograph shows a different sister in profile with hair up, wearing a fur wrap around her shoulders.&lt;/li&gt;
&lt;li&gt;Two sepia photographs mounted on plain paper. The top photograph shows two small boys in smocks riding a tricycle and a toy car, with outbuildings and trees in the background, captioned "My two little nephews—Russell and Graham, who are 'reg’lar fellers'." The bottom photograph shows two adults sitting on the ground in front of a background of trees, with long dresses and hair up, eating and drinking. Captioned "With Emmie Nurse at breakfast, Island Pond (three miles inland) 7 a.m."&lt;/li&gt;
&lt;li&gt;Printed log book page for May 1920, which includes columns for the Day of Month, Day of Week, Zodiacal Signs, Weather Forecast, Sun Rise, Sun Set and Moon Set times for Local Mean Time Ontario, Quebec and Maritime Provinces. Brief handwritten entries fill each day’s space. Subjects include weather, mail, going to St. John’s to have dentures made, visits from friends, Church of England, Girl’s Guild, music, writing, sewing, death.&lt;/li&gt;
&lt;li&gt;Collage with two birch bark fish on a sage green background mounted on a periodical page. White handwritten description of Empire Day spent fishing with friends, enjoying the sunset and each other’s company.&lt;/li&gt;
&lt;li&gt;Two sepia photographs mounted on plain paper. The top photograph shows two figures tending to a kettle on a fire, with trees and rocks around them. Both are in long skirts. Captioned "Boiling the kettle in the woods". The second photograph shows four adults and two children, with all but one adult facing the camera. Long dresses on all adults and the children wear hats. Captioned "Isabel and Charlotte visit us".&lt;/li&gt;
&lt;li&gt;Two sepia photographs mounted on plain paper. The top photograph shows three adults and a child posing among roses. One adult is in a suit and the other two wear dresses, one with hair down. Captioned "In our Rose-Garden". The second photograph shows four adults and two children sitting on the grass, one adult in a suit and the others in long dresses. One figure faces away from the group. Captioned "He loves me, he loves me not."&lt;/li&gt;
&lt;li&gt;Printed log book page for June 1920, which includes columns for the Day of Month, Day of Week, Zodiacal Signs, Weather Forecast, Sun Rise, Sun Set and Moon Set times for Local Mean Time Ontario, Quebec and Maritime Provinces. Brief handwritten entries fill each day’s space. Subjects include weather, mail, swollen face from possible poisoning, visits from friends, church, Girl’s Guild, music, picnics, sewing, forest fire.&lt;/li&gt;
&lt;li&gt;Handwritten poem, "Th’ Olerdays", written in dialect. Four rhyming stanzas from the perspective of a child who is daydreaming about playing outside while in the classroom. The poem ends with the child getting kept behind because of their absentminded schoolwork. Signed P. Florence Miller.&lt;/li&gt;
&lt;li&gt;Handwritten page titled A Moonlight Revel, illustrated with drawings of a moon, and fork and spoon characters who reappear further down the page. Description of a moonlight picnic at Frog Pond, where cutlery went missing in the dark. The group sang and played "young" games like Hide and Seek, staying there until midnight. A send-off for Mary. Dated June 30th 1920.&lt;/li&gt;
&lt;li&gt;Three sepia photographs mounted on plain paper, titled "Studies of Graham". The top photograph shows a small smiling child with long curly hair, wearing a smock, cardigan and long stockings, posing in front of a fence with a trowel and dish. The caption reads "As a Small Grubby King of Mud-Pie-Dom" with a drawing of two mud pies. The bottom two photographs show the same child with hair cut short, posing in profile and toward the camera, wearing light coloured shorts and socks and with a fence in the background. He has a small wagon in the right photograph. Captioned "Shorn of all the little curls in which our hearts delighted".&lt;/li&gt;
&lt;li&gt;Printed log book page for July 1920, which includes columns for the Day of Month, Day of Week, Zodiacal Signs, Weather Forecast, Sun Rise, Sun Set and Moon Set times for Local Mean Time Ontario, Quebec and Maritime Provinces. Brief handwritten entries fill each day’s space. Subjects include weather, mail, Miller’s birthday (July 8, celebrated "by moonlight"), visits from friends, Wesley Bible Class, Girl’s Guild, motoring (driving), music, picnics, catching a frog for nephews.&lt;/li&gt;
&lt;li&gt;Collage with a birch bark frog in human clothing standing on a heart-shaped lily pad holding a piece of paper. The frog is mounted on a sage green background on a periodical page. Titled "I Capture Brer Bull Frog." The frog has a speech bubble which says "Chug-a-rump". Below the frog reads "A Froggie would a-wooing go". A small arrow may indicate there is something on the reverse of the image.&lt;/li&gt;
&lt;li&gt;Handwritten account titled "I adopt an Uncle!", in which Chug-a-rump, the frog, draws the attention of visitors who then become friends. Uncle Tom is from British Columbia and Miller "adopts" him as their uncle. His niece, Marie, is thrilled by meeting Miller, whose writing she and her father have enjoyed. It turns out that Uncle Tom was friends with Miller’s father "back in the yesterdays." They spend days together and Miller anticipates missing them once they leave.&lt;/li&gt;
&lt;li&gt;Photograph mounted on plain paper. Written on the photograph in white is "H.R.H. The Prince of Wales Landing at Topsail Aug. 11th 1919." The photograph shows a dock with many people gathered, with two men in the middle of the picture, one looking toward the camera, wearing suits with hats and ties. In front of them are several small children in white with wide-brimmed hats. One has a parasol.&lt;/li&gt;
&lt;li&gt;Printed log book page for August 1920, which includes columns for the Day of Month, Day of Week, Zodiacal Signs, Weather Forecast, Sun Rise, Sun Set and Moon Set times for Local Mean Time Ontario, Quebec and Maritime Provinces. Brief handwritten entries fill each day’s space. Subjects include weather, mail, CLB concerts, visits from friends, gramophone music, bathing suit stolen from fence, picnics.&lt;/li&gt;
&lt;li&gt;Three photographs mounted on a dark background with white handwriting. The page commemorates the first anniversary of the visit of the Prince of Wales, who landed at Topsail Wharf on August 11, 1919. The first photo shows the Prince of Wales and contingent walking past the Miller’s gate, with the Prince raising his hat in greeting to those watching. The second photograph shows a group of men in conversation, one being the Prince. The third photograph shows Topsail Beach with the hill in the distance where the Prince climbed to admire the view.&lt;/li&gt;
&lt;li&gt;A large "photocard" of the HMS Renown, which transported the Prince of Wales, mounted sideways on the page. The text describes how the card was given to Miller after they explained local postage and currency to one of the officers. Along with accompanying vessels, the Renown stayed in Topsail for 24 hours, during which time crowds of people drove from St. John’s to see the sights. Miller notes that the ships were especially beautiful in the night, "outlined distinctly with electric bulbs."&lt;/li&gt;
&lt;li&gt;Clipping from "The Quarterly", pasted sideways on a birchbark background, from a special edition celebrating the visit of the Prince of Wales. The clipping includes a poem, "Conception Bay", by P. Florence Miller, as well as a photograph showing Topsail, Kelly’s Island and Bell Island in Conception Bay. The short, three-stanza rhyming poem celebrates the natural beauty of the landscape, and in the final lines adds that there was no "history" to mention here until the Prince arrived "and brought to you your glory."&lt;/li&gt;
&lt;li&gt;Printed log book page for September 1920, which includes columns for the Day of Month, Day of Week, Zodiacal Signs, Weather Forecast, Sun Rise, Sun Set and Moon Set times for Local Mean Time Ontario, Quebec and Maritime Provinces. Brief handwritten entries fill each day’s space. Subjects include weather, mail, visits from friends, meeting new teacher, crochet, picnics, adopting stray kitten named Judy Abbott, put frog back (released it).&lt;/li&gt;
&lt;li&gt;A birch-bark kitten plays with a ball of red string, with the title “Judy Abbott!” Red handwritten description of finding the small black kitten on a cold night and adopting her immediately. The kitten was named after the orphan protagonist in the 1912 novel "Daddy-Long-Legs", by Jean Webster.&lt;/li&gt;
&lt;li&gt;Two photographs mounted on plain paper, with the title "Under the Hill, a-picnicin’." The photographs are similar and depict a group of seven adults with a picnic spread on a large cloth in front of a treed landscape. Two picnic baskets are visible, and the party appears quite relaxed.&lt;/li&gt;
&lt;li&gt;Photograph mounted on plain paper, titled "Charlie." A small child in a dark coat, boots and hat holds the rope of a sled which is visible on the snow mound behind him.&lt;/li&gt;
&lt;li&gt;Printed log book page for October 1920, which includes columns for the Day of Month, Day of Week, Zodiacal Signs, Weather Forecast, Sun Rise, Sun Set and Moon Set times for Local Mean Time Ontario, Quebec and Maritime Provinces. Brief handwritten entries fill each day’s space. Subjects include weather, mail, writing, visits from friends, Aunt’s death, a wedding, sewing, crochet.&lt;/li&gt;
&lt;li&gt;A printed card on blue paper shows a portrait of writer Edgar A. Guest. The card is a mass-produced thank-you note from Guest to "My dear Friend", in thanks for sending greetings on his birthday. Below the card in red handwriting is an account of Guest’s birthday being announced in The Telegram, which printed many of his poems. The Telegram asked readers to send letters to Guest for the occasion, and Miller sent a "pome" (poem) in appreciation. Signed P. Florence Miller.&lt;/li&gt;
&lt;li&gt;Handwritten copy in blue and red ink of Miller’s letter to Edgar A. Guest in August 1920. The letter wishes Guest a happy birthday, thanking him for his poetry and humbly enclosing a poem in his honor, "straight from the heart of a little mouse-scribe". Signed P. Florence Miller.&lt;/li&gt;
&lt;li&gt;Handwritten copy of Miller’s "pome" (poem), "Edgar A. Guest, Poet and Brother-Man." The five stanza rhyming poem is written in dialect and celebrates Guest as an ordinary man who enjoyed life like other men, as well as a poet whose words enriched others’ lives. Dated August 10th, 1920, signed P. Florence Miller.&lt;/li&gt;
&lt;li&gt;Printed log book page for November 1920, which includes columns for the Day of Month, Day of Week, Zodiacal Signs, Weather Forecast, Sun Rise, Sun Set and Moon Set times for Local Mean Time Ontario, Quebec and Maritime Provinces. Brief handwritten entries fill each day’s space. Subjects include weather, mail, writing, visits from friends, music, sewing, knitting, death, birth, friends moving to St. John’s. Tags: 1920, Peter Miller, scrapbook, diary, log book, handwriting, friendship, religion, nature.&lt;/li&gt;
&lt;li&gt;Handwritten account titled "The First Snowfall—November 27th", which describes the fresh snow covering every branch and leaf, untouched by sun or wind. Miller concludes that it is "good to be in Newfy now that Winter’s here!"&lt;/li&gt;
&lt;li&gt;Printed log book page for December 1920, which includes columns for the Day of Month, Day of Week, Zodiacal Signs, Weather Forecast, Sun Rise, Sun Set and Moon Set times for Local Mean Time Ontario, Quebec and Maritime Provinces. Brief handwritten entries fill each day’s space. Subjects include weather, mail, visits from friends, sewing, knitting, poems published in The Quarterly, distributing gifts.&lt;/li&gt;
&lt;li&gt;Collage of birch bark Christmas bell with green crochet bow. The page is bordered in drawing of holly leaves and berries, with the phrase "To Greet You" below the bell. On the bell itself reads "MERRY CHRISTMAS. Christmas—welcome it with a smile, and keep it with you all the Year. P. Florence Miller."&lt;/li&gt;
&lt;li&gt;Drawing of a clock striking midnight. Below, the candle of 1920 is snuffed out while the candle of 1921 burns bright. Below this is a short verse about the New Year, signed P. Florence Miller. The page is dated "December Thirty First, Nineteen Hundred and Twenty."&lt;/li&gt;
&lt;li&gt;Two handwritten columns of titles with an "x" marked by some entries.&lt;/li&gt;
&lt;li&gt;Continued from the previous page, a list of titles.&lt;/li&gt;
&lt;/ol&gt;</text>
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                <text>&lt;em&gt;Muse&lt;/em&gt; Collection, Centre for Newfoundland Studies &lt;a href="https://collections.mun.ca/digital/collection/muse/id/5468/rec/22"&gt;https://collections.mun.ca/digital/collection/muse/id/5468/rec/22&lt;/a&gt;</text>
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                <text>An article in &lt;em&gt;The Muse&lt;/em&gt;, Memorial University of Newfoundland’s student newspaper, reporting on St. John’s Gay Pride March in 1997. 50 people in the community gathered to celebrate the fight for queer freedom and to pressure the provincial government to amend the Human Rights Code. Two years prior, Labour Minister Kevin Aylward promised changes to protect the queer community from discrimination, but as of the Gay Pride March, the government had yet to enact any changes.</text>
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                <text>Published illustration of a room in the Octagon Castle</text>
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                <text>Memorial University of Newfoundland Archives and Special Collections, Coll 164 2.13</text>
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                <text>Luminus collection at the Centre for Newfoundland Studies&lt;br /&gt;&lt;a href="https://collections.mun.ca/digital/collection/luminus/id/123/rec/1"&gt;https://collections.mun.ca/digital/collection/luminus/id/123/rec/1&lt;/a&gt;</text>
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                  <text>The Body Politic was a queer, activist-based Canadian monthly newsletter that was published from 1971 to 1987. It is one of the most significant queer publications in Canadian history, and played a significant role in amplifying the Gay Liberation Movement and provided a crucial space for queer voices to be heard.</text>
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                <text>Review of &lt;em&gt;A Strange Breed of Cat: An Encounter in Human Sexuality&lt;/em&gt; by psychologist B. Mark Schoenberg, a book recording the sessions of a male encounter group at Memorial University consisting of seven students: two gay, one bisexual, three heterosexual, and one unsure. The reviewer warns against interpreting the book as reflecting a new "liberated" approach to sexuality.&lt;br /&gt;&lt;br /&gt;This article was posted in the &lt;em&gt;Body Politic&lt;/em&gt; newsletter. &lt;em&gt;The Body Politic&lt;/em&gt; was a queer, activist-based Canadian monthly newsletter that was published from 1971 to 1987. It is one of the most significant queer publications in Canadian history, and played a significant role in amplifying the Gay Liberation Movement and provided a crucial space for queer voices to be heard.</text>
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                <text>Pink Triangle Press and Canadian Museum for Human Rights &lt;a href="https://archive.org/details/bodypolitic17toro/page/24/mode/2up?q=newfoundland"&gt;https://archive.org/details/bodypolitic17toro/page/24/mode/2up?q=newfoundland&lt;/a&gt;</text>
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                <text>&lt;a href="https://archive.lspuhall.ca/play/on-edge/"&gt;Resource Centre for the Arts Theatre Archive &lt;br /&gt;https://archive.lspuhall.ca/play/on-edge/&lt;/a&gt;</text>
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                <text>Poster for the On Edge show at the LSPU Hall.&lt;br /&gt;Written by Beni Malone and Rick Mercer&lt;br /&gt;Directed by Lois Brown&lt;br /&gt;Starring Beni Malone, Rick Mercer, Mary Lewis, Randy Follett, and Christine Taylor&lt;br /&gt;Designed by Peggy Hogan, Barry Nichols, and Boo Noseworthy&lt;br /&gt;&lt;br /&gt;Show description: "Why does an underworld underling travel all the way to a Newfoundland orphanage to play Santa at the at the annual Christmas party? Why does Violet's boyfriend suggest they hide her best friend in a freezer? What gives Eddie the right to turn Monroe's hot, trendy Gallery into a Spa? Will Violet give up dirty dealing to become an aerobic instructor? Why does Tony think he killed Monroe when Eddie thinks she is still alive? Is Monroe dead or alive? On Edge &lt;span style="text-decoration: underline;"&gt;to it all&lt;/span&gt;."</text>
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              <text> CBC ADIO AND TELEVISION&#13;
Assisting in the developlement, support and promotion of artistic talent in Newfoundland.&#13;
We l1ope you enjoyed the 1979 Dranta Festival and may we remind you that there is a lot 111ore great Canadian drallla on CBC Radio and Television in Newfoundland.&#13;
      A MESSAGE FROM&#13;
HON. KEVIN WALSH&#13;
MAYOR&#13;
THE TOWN OF STEPHENVILLE&#13;
It gives me great pleasure indeed to welcome visitors to Stephenville on the occasion of the Stephenville Festival of the Arts.&#13;
This is the second year that the Festival has been operated and is now a much expanded and enlarged operation.&#13;
Being one of the few Festivals of the Arts in Canada, The Town of Stephenville is indeed privileged to have been&#13;
selected by Maxim Mazumdar and his board.&#13;
We know the Festival will be successful; and we trust that all who visit on this occasion will enjoy their stay and will return again next year.&#13;
STEPHENVILLE is a modern town havlng many modern facilities. We have many Service Club Organizations, Sports Clubs,&#13;
Recreational Centres, Gymnasiums, Shopping Centres, Churches, Parks. Natural Scenery, - and many more interesting things and places for happy and comfortable living and adventure and fun.&#13;
A marvellous blending of the old and the new settlers in the Bay St. George area has created a unique individuality in our people and has placed a stamp of distinctiveness upon our very&#13;
environment.&#13;
Nowhere else can you experience the same warmth of hos- pitality the colorful accent and speech mannerisms, the acute sense of humour, or the unique personality traits.&#13;
And nowhere else can you discover the same romantic rem· nants of centuries of history co-mingled harmoniously with modern commercial, industrial and social structures ln Institutions.&#13;
Bay St. George is indeed a study in contrasts, and it is this very duality of its character that makes it well loved by Newfoundland- ers and highly regarded by visitors.&#13;
&#13;
  WELCOME FRIENDS!&#13;
WELCOME MESSAGE FROM THE DIRECTOR&#13;
For a second year in a row, Stephenville is ho_sting one of the most exciting arts festivals in Canada. I am proud to be surrounded by the talent that this Festival has enlisted. The professional directors and guest stars are of a calibre that any theatre would be proud of and there is some exciting talent to be found among the young· artists&#13;
who are part of this year's Provincial Drama Academy.&#13;
Above all, the Festival is a tribute to the people of Stephenville. The time and support that the community has invested in developing&#13;
our impossible dream into a reality is extraordinary- a Festival of international stature with its roots firmly in this province.&#13;
Welcome to the Stephenville Festival o f the Arts for 1980.&#13;
Enjoy the entertainment, meet the performers and come back in&#13;
1981.&#13;
Maxim Mazumdar&#13;
Artistic Director&#13;
FACULTY LIST&#13;
MAXIM MAZUMDAR, Principal&#13;
Mr. Mazumdar is best known for his one-man show, Oscar&#13;
Remembered, which has had over 800 performances in Canada, England, Scotland and Ireland. He has written and performed Rimbaud and Dance For Gods, appeared as Oscar Wilde in Eric Bentley's, Lord Alfred's Lover in Buffalo, and has written Conversa- tions for Anton Dolin and Invitation To The Dance for John Gilpin. Mr. Mazumdar founded the ·Provincial Drama Academy in 1979 and is Artistic Director of Theatre NewfoundJand and Labrador (TNL)&#13;
and the Stephenville Festival of the Arts.&#13;
JOHN GILPIN, Ballet Instructor and Guest Star (INVITATION TO THE DANCE)&#13;
Mr. Gilpin joined Ballet Rambert as a soloist in 1945 and toured Australia and New Zealand with them from 1947-49. He then joined Roland Petit's Ballet de· Paris and danced in Europe with them until&#13;
1950 when he left them ~o join Les Grand Ballets de Marquis de Ouevas as a leading soloist. At the end of 1950, he joined the newly formed London's Festival Ballet, remaining with them until 1972,&#13;
&#13;
       except for the period ·1961-62 when he was a guest artist with the Royal Ballet. Mr. Gilpin was awarded the Queen Elizabeth Corona- tion Award for his services to British ballet in 1963 and in 27 years&#13;
of dancing he partnered most of the leading ballerinas of their times.&#13;
MICHAEL SINELNI KOFF, Acting Instructor and Directo~ (OUR TOWN)&#13;
Mr. Sinelnikoff was a student at the Italia Conti School and the Royal Academy of Dramatic Arts in London, England. He has worked extensively in amateur and professional theatre in Canada and won the&#13;
1962 Best Director Award in the Dominion Drama Festival for his production of Look Back In Anger. He produced and directed 75 half- hour dramas for CBC's Teleplay series and won an Anik Award in 1978 for ''The Fun of Being With Oscar'' starring Maxim Mazumdar. Mr. Sinelnikoff has adjudicated many festivals, scriptwritten for Playdate and the Festival series in Toronto and is currently a pro~ ducer/director with CBC Drama in Montreal. This is his second year&#13;
at the Provincial Drama Academy.&#13;
THOM SOKOLOSKI, Acting Instructor and Director (HAMLET)&#13;
Mr. Sokoloski was a student at the LeCoq Mime School in Paris, France and has acted and directed in productions in Canada, Europe and the United States. He is Artistic Director of Theatre Autumn Leaf (based in Toronto) which has performed alternate productions of Miss&#13;
Julie, Deathwatch, The Chairs, Endgame and five plays written by Mr. Sokoloski.&#13;
He has performed with the LaMama Company in New York City and at Festivals in Edinburgh, Scotland and Avignon, France. He co- directed a student production of Hair which recently played at Artpark, New York.&#13;
JULIE RANK, Jazz Instructor and Director (JACQUES BREL IS ...)&#13;
Ms. Rank trained at the National Ballet School in Toronto and has since performed on numerous television shows including ''Pig and Whistle'', ''Miss Teen Canada'', ''The Juno Awards'', ''The Rene Simard Show'' and ''The Gene Taylor Show''. She has worked exten- sively in nightclubs across Canada and the United States as a singer/&#13;
dancer. She has choreo¥graphed commercials and for Toronto show&#13;
bands. Ms. Rank has also acted in a number of films. This is her\i second year at the Provincial Drama Academy.&#13;
&#13;
   ELISE PEARLMAN, Voice Instructor and Guest Artist (JACQUES BREL IS ...)&#13;
Ms. Pearlman has two Bachelor of Arts degrees in Theatre and Com-&#13;
municative Disorders and Science. She has performed in 17 produc-&#13;
tions in Buffalo, New York, including ''The Club'', ''Threepenny 1&#13;
Opera'', ''The Boyfriend'', ''Cherry Orchard'' and ''Wizard of Oz''. She was Dialect Coach for Eric Bentley's production of ''Lord Alfred's&#13;
Lover'' starring Maxim Mazumdar. She is currently a teacher of Voice at the St,ate University of New York in Buffalo. She has trained in ballet, tap, jazz, mime, singing and lighting design.&#13;
JAM ES COLBECK, Design Instructor and Designer&#13;
(HAMLET, OUR TOWN, INVITATION TO THE DANCE)&#13;
Mr. Colbeck began his professional career at 13 as an original member of the Stratford Festival (Ontario) as Sir Alec Guinness' page in ''Richard 111'' directed by Sir Tyrone Guthrie. He graduated from the&#13;
Royal Military College of Canada in 1962, and after three years of active service, returned to theatre where he since has held the posi- tions of Artistic Director, Assistant Director, General Manager, Dean of Performing Arts, Dea,n of Men and General Director. He was the&#13;
Founder/Artistic Director of Theatre Antigonish and was the recipient of two Canada Council Awards as a director/designer.&#13;
IAN LeMAISTRE, Technical Instructor and Lighting Designer&#13;
(HAMLET, OUR TOWN, INVITATION TO THE DANCE)&#13;
Mr. LeMaistre has been Technical Director and Lighting Designer for Theatre Antigonish in Nova Scotia since 1975. He was lighting desig-&#13;
ner and co-set designer for the winning entry in the Atlantic ,Drama Festival in Corner Brook, Nfld. which was judged best visual present~ ation. He was awarded the Theatre Antigonish award for artistic ach- ievement in 1977. He has conducted numerous Iighting workshops all over Nova Scotia. He has worked on over 25 productions in Nova&#13;
Scotia and Quebec.&#13;
JOEY SHULMAN, Administrative Instructor and Publicist&#13;
Mr. Shulman was Tour Manager and Publicity Director for Toronto Dance Theatre for 31⁄2 years before opening his own P. R1 . firm, The Other Agency in 1978. Since then, he has represented Maxim Mazumdar, Canadian Mime Theatre, National Tap Dance Company, Young People's Theatre (Toronto), Tom Kneebone, Brian Macd;onald, Annette av Pau,I, Veronica Tennant, Donald Davis, Helene Winston and many others. This is his second year at the Provincial Drama&#13;
Academy.&#13;
TECHNICAL ASSISTANCE&#13;
Set Construction by Ellis Flynn, Don Dunphy, Bernadette Whalan. Costumes Constructed by Peter RyalI and Ada Shave.&#13;
Production Stage Manager for the Festival: Lorraine Paris&#13;
&#13;
                                                    FESTIVAL SCHEDULE:&#13;
MONDAY&#13;
TUESDAY&#13;
July 15&#13;
Hamlet&#13;
8:30 p.m.&#13;
WEDNESDAY&#13;
July 16&#13;
Our Town&#13;
8:30 p.m.&#13;
THURSDAY&#13;
July 17&#13;
Jacques Brei Is ..&#13;
FRIDAY&#13;
July 18&#13;
Invitation to the Dance&#13;
8:30 p.m.&#13;
Brei&#13;
9:00p.m.&#13;
July 25&#13;
Dance&#13;
8:30p.m.&#13;
Brei&#13;
9:00 p.m.&#13;
August 1 Dance&#13;
8:30p.m.&#13;
Brei&#13;
9:00 p.m.&#13;
SATURDAY&#13;
July 19&#13;
Our Town&#13;
2:00 p.m.&#13;
Hamlet&#13;
8:30 p.m.&#13;
Brei&#13;
9.00 p.m.&#13;
July 26&#13;
Our Town&#13;
2:00 p.m.&#13;
Hamlet&#13;
8:30 p.m.&#13;
Brei&#13;
9:00 p.m.&#13;
August 2 Our Town&#13;
2:00 p.m.&#13;
Hamlet&#13;
' 8:30 p.m.&#13;
July 21&#13;
Dance&#13;
8:30p.m.&#13;
Brei&#13;
9:00 p.m.&#13;
July 28&#13;
Dance&#13;
July 22&#13;
Hamlet&#13;
8:30 p.m.&#13;
Brei&#13;
9: 00 p.m.&#13;
July 29 · Hamlet&#13;
July 23&#13;
Our Town&#13;
8:30p.m.&#13;
8:30p.m. 8:30p.m.&#13;
July 30&#13;
Our Town&#13;
8: 30 p.m.&#13;
Trojan Women&#13;
Open-Air&#13;
Performance&#13;
War Memorial Site&#13;
Brei&#13;
9:00 p.m.&#13;
Brei&#13;
9:00 p.m.&#13;
11:00p.m.&#13;
9:00 p.m.&#13;
Hamlet&#13;
8:30 p.m.&#13;
July 24&#13;
Hamlet&#13;
8:30 p.m.&#13;
Brei&#13;
9:00p.m.&#13;
July 31&#13;
Hamlet&#13;
8:30 p.m.&#13;
Brei&#13;
9: 00 p.m.&#13;
.&#13;
&#13;
          Written by William Shakespeare Directed by Tliom Sokoloski&#13;
/1ssistants to DirectcJr : Nick UJoolridge and Slieila Bardach Design by James Colbeck&#13;
Lighting Designed by Ian LeMaistre&#13;
Hamlet Claudius Polonius&#13;
Horatio Laertes Rosencrantz&#13;
Gui ldenstern Osric Gravedigger =I= 1 Gravedigger=I= 2&#13;
Marcellus Bernardo Francisco The Players&#13;
Player King · Player Queen Ghost of Hamlet's Father&#13;
Gertrude Ophelia Ladies in Waiting&#13;
Soldiers&#13;
Priest and Gentleman Fortinbras&#13;
Maxim Mazumdar Boyd Norman&#13;
Ed Kieley&#13;
Paul Rowe&#13;
Jeff Pitcher&#13;
Peter Soucy&#13;
Derek Martin Chris Warrick Charles Tomlinson Colin Macpherson Brian Lake Charles Tomlinson Paul Brault Charles Tomi inson Sheila Bardach Chris Warrick Victoria Dawe John Patti&#13;
Brian Lake&#13;
Suzanne Fitzpatrick&#13;
Lorne Pardy Marilyn Maclean Bernadine Stapleton Gayle Roberts Cathy Finn&#13;
Suzanne Fitzpatrick&#13;
Libby Anderson Sheila Bardach James Healey Charles Tomlinson&#13;
Lloyd White John Patti&#13;
We _gratefully appreciate the generous contribution of cos- tumes for this production from Neptune Theatre (Halifax).&#13;
&#13;
     Written By : Thornton Wilder&#13;
Directed By : Michael Sinelnikoff&#13;
Assistant to the Director : Paul Snelgrove&#13;
Set Designed By : James Colbeck&#13;
Lighting Designed By : Ian LeMaistre&#13;
Costumes Designed By : Peter Ryall&#13;
Executed By : Ada Shave&#13;
Stage Manager&#13;
Doctor Gibbs George Gibbs Professor Willard&#13;
Joe Crowell Cy Crowell&#13;
Howie Newsome Mrs. Gibbs&#13;
Mrs. Webb&#13;
Rebecca Wally Webb&#13;
Mr. Webb&#13;
Woman in Balcony Man in Auditorium&#13;
Lady in Box Simon Stimson&#13;
Mrs. Soames Constable Warren&#13;
Emily Webb Sam Craig Joe Stoddard&#13;
Choir/Congregation/ Wedding Guests/Deceased&#13;
: Paul Rowe&#13;
: Ed Kieley&#13;
: John Patti&#13;
: Charles Tomi inson&#13;
: Lorne Pardy&#13;
: Colin Macpherson&#13;
: Peter Soucy&#13;
: Marilyn Noseworthy : Margaret FIetcher&#13;
: Lisa Moore&#13;
: Chris Warrick&#13;
: Lloyd White&#13;
: Barbara Bickerton&#13;
: Brian Lake&#13;
: Amy Hous.e&#13;
: James Healey&#13;
: Teri Snelgrove&#13;
: Boyd Norman&#13;
: Derek Martin&#13;
: Gayle Roberts : Cathy Finn&#13;
: Victoria Dawe&#13;
: Libby Anderson : Paul Smith&#13;
: PauI Snelgrove&#13;
We gratefully appreciate the loan of the pump organ from Monsignor White ofStephenville Crossing.&#13;
&#13;
            •&#13;
ZS•••&#13;
By Eric Blau and Mort Shuman&#13;
Directed and Choreographed by Julie Rank&#13;
Assistant to the Director : Gloria Fiander Musical Direction by Gary Graham&#13;
Designed by Peter RyalI&#13;
Costumes Designed by Lush and Lavish&#13;
Lighting Designed by Ian LeMaistre&#13;
Cast (in alphabetical order)&#13;
Paul Brault&#13;
Dennis Caines/Maxim Mazumdar (July 28, Aug. 1) Elise Pearlman/Teri Snelgrove (July 26, 29)&#13;
Patti van Roode&#13;
Songs:&#13;
Marathon-Company Alone-Dennis Caines Madeleine-Company&#13;
I loved - Patti van Roode&#13;
: Mathilde - Dennis Caines BacheIor's Dance - Paul BrauIt&#13;
Timid Frieda - Paul Brault, Patti van Roode, Dennis Caines My Death - Elise Pearl man&#13;
Jackie - Dennis Caines&#13;
The Desperate Ones - Company Sons Of - Patti van Roode&#13;
Amsterdam - Paul Brault&#13;
INTERMISSION&#13;
The Bulls - Paul Brault Old Folks - Elise Pearlman&#13;
Marieke - Dennis Caines&#13;
Brussels - Patti van Roode&#13;
Fanette - Dennis Caines&#13;
Funeral Tango - Paul Brault&#13;
No Love You're Not Alone - Elise Pearlman Next - Paul Brault&#13;
Carousel - Elise Pearlman&#13;
If We Only Have Love - The Company&#13;
.&#13;
&#13;
        World Premiere&#13;
Written and Directed by Maxim Mazumdar&#13;
Assistants to the Director : Paul Smith and Alison Woolridge&#13;
Set Designed by James Colbeck&#13;
Lighting Designed by Ian LeMaistre&#13;
Sound Recording by Clode Sound Productions&#13;
Author's Note:&#13;
Jonathan Arden&#13;
John Gilpin&#13;
Jeff Pitcher&#13;
Teri Snelgrove&#13;
The Boy&#13;
.,&#13;
CAST&#13;
11lie world of the Ballet is a unique one. It is the most disciplined of the arts, requiring the emotions of· an actor, the sensitivity of a rrius- ician and the stam.ina of an athlete. No other art form lavishes such&#13;
adulation on its members or discards them with more ruthlessness. But all artists, even dancers, have one tliing in common - the human instinct for sur·vival. In INVITATION TO THE DANCE Jonathan Arden has to face this for the first time. lie is no longer the great star of· the ballet that lie was. l~lours before his farewell perf~ormance lie&#13;
sits in his dressing roorn brooding over the past. Two figures enact various characters in his life - his teachers, his family, his audiences; they are part of· liis Self Through them he relives his early triumphs,&#13;
as well as liis struggle with alcoliol and ill-health. Slowly through these memories lie picks up the threads of· the future and before the end of the play he encounters unexpected help from a visitor.&#13;
This play is a tribute to the art of the Ballet which I have grown to know and love ... and to all performers everywhere. It could never have been written or performed without the co-operation and help of the great English dancer, John Gilpin.&#13;
&#13;
      SPECIAL EVENTS &amp; DISPLAYS - 1980&#13;
KINDALE LIBRARY:&#13;
Regional History in Artifacts, Pictures, Stories, Seminars and Music.&#13;
Continues until September 3, 1980.&#13;
CRAFTS DISPLAY:&#13;
Stephenville Arts &amp; Culture Centre during the Stephenville Festival of the Arts.&#13;
WEST COAST ANNUAL REGATTA:&#13;
Long Gu11 Pond - August 3, 1980.&#13;
STEPHENVILLE RECREATION SCHEDULES: ST. STEPHEN'S RECREATION CENTRE:&#13;
During the su117mer months there will be adult swims daily:&#13;
j&#13;
Monday to Saturday: Monday to Friday: Daily:&#13;
7:00 a.m. to 8:30 a.m. 12:00 noon to 1:00 p.m.&#13;
9: 00 p.m. to 10:00 p.m.&#13;
WEST COAST TRAINING CENTRE:&#13;
During the summer months the gym will be open Monday to Saturday from 8:30 a.m. to 6:00 p.m.&#13;
Activities and faci Iities include basketbal I, badminton, volley- balI, exercise rooms, a weightlifting room, squash rooms, tennis courts, and a steam bath.&#13;
HARMON GOLF &amp; COUNTRY CLUB&#13;
The Golf Club opens daily at 9:00 a.m.&#13;
Green Fees - $6.00&#13;
Golf clubs rental - $4.00&#13;
&#13;
     The Caribou Curling Club&#13;
Bay St. George Community College&#13;
Town of StephenviIle&#13;
West Coast Training Centre&#13;
Harmon Corporation Theatre Antigonish&#13;
S'viIle School of Dance&#13;
Stagg &amp; Stagg&#13;
Thank You!&#13;
The Provincial Drama Academy wishes to extend sincere thanks to the many groups and individuals who have been of considerable&#13;
assistance during the past ,nonths.&#13;
Financial Assistance has been given to the school either as direct grants and donations, or in the form of discounts, by the following:&#13;
Abitibi-Price Inc.&#13;
Harmon Corporation Bowater Newfoundland Ltd.&#13;
Stephenvi Ile Rotary Club&#13;
The Newfoundland &amp; Labrador Arts Council&#13;
Equipment, Facilities, and Assistance have been made available to the school by the following:&#13;
Stephenvi Ile Arts &amp; Culture Centre Staff&#13;
·Publicity for the 1980 Stephenville Festival of the Arts has been made more effective through the assistance of the following:&#13;
The Department of Tourism, Recreation, &amp; Culture&#13;
Chamber of Commerce Town of StephenviIle Quality Printers Ltd.&#13;
Hotel Stephenvi'lle&#13;
Island Inn White's Hotel&#13;
Retail Business Assoc. of Stephenville Dhoon Lodge&#13;
Harmon Corporation Bowater Newfoundland Ltd. CBC&#13;
CFSX&#13;
Many other media groups throughout the province.&#13;
Appearance by the Provincial Drama Academy representatives at the Edinburgh International Arts Festival is being made possible&#13;
through the generosity of:&#13;
CENTRAL FOODS LTD.&#13;
.&#13;
To all of those who have given so freely of their time, have helped in so many ways, and to those whose assistance will have been sought and received after the printing deadline o f this publication, we extend a sincere THANK YOU!&#13;
Diamond's Buildall&#13;
Ari im Company&#13;
Maritime Service &amp; Supply&#13;
Labatt's Breweries&#13;
The Western ·Star The Georgian The Reporter&#13;
Air Canada and EPA&#13;
&#13;
 NOTES:&#13;
&#13;
              P.O. BOX 328 -relephone (709)643-3771&#13;
STEPHENVILLE NEWFOUNDLAND&#13;
We wish you every success!!&#13;
&#13;
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                <text>The 1980 program for the Stephenville theatre festival. This was the third season of the festival and was directed by Maxim Mazumdar. The festival schedule that year featured Hamlet, Our Town, Jacques Brel Is..., and Trojan Women. </text>
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                <text>Memorial University of Newfoundland Archives and Special Collections Newfoundland and Labrador Performing Arts Programs and Handbills (Coll-138)&lt;br /&gt;&lt;a href="https://dai.mun.ca/PDFs/handbillsarts/StephenvilleFestivaloftheArtsJuly15August21980.pdf"&gt;https://dai.mun.ca/PDFs/handbillsarts/StephenvilleFestivaloftheArtsJuly15August21980.pdf&lt;/a&gt;</text>
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Jeff was one of Tommy Sexton's long-time partners, not much is known of his life but he passed away during the AIDS epidemic. Anyone with information about Jeff's life that they would like us to share can email NLQueerResearch@gmail.com or call 1-709-315-0075.</text>
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